About My Practice

My practice has always been rooted in the interaction of forms—how one volume leans toward another, how tension is created in the space between them, how balance emerges from opposition. From the very beginning, I have been drawn to the idea of sculpture, not as a solitary object, but as a relationship between parts and materials, between accident and intention.

Working with materials has often meant allowing them to teach me something new. Early experiments in foam revealed how discarded fragments could become central to a composition, their irregular edges carrying a vitality that planned forms alone could not achieve. The introduction of a sphere—perfect, geometric, unyielding—revealed how contrast could transform fragments into dialogue, and how balance is often born from tension.

An accident—damaging a form and repairing it with burlap and joint compound—led me to a discovery: texture and color born from chance could become integral, turning repair into revelation. This insight continues to guide my process, reminding me that the unexpected is often the most inspiring.

Today my work embraces both precision and improvisation, geometry and accident. Each piece is shaped as much by curiosity as by design. Whether through fragments, spheres, surfaces, or textures, I return again and again to the same underlying question: how can form, material, and process come together to create a conversation neither could sustain alone?